Looking into history: Unexpected finds

In this post, we take a look at some of the names in the ONS girls’ names data from England and Wales (up through the first 300) which may surprise some people by turning up in the Middle Ages.

First up is no. 41 Imogen — historically thought to have first appeared post-1600 as a typo in a Shakespearean play, the name has an alternative history, dating back to medieval Germany.

Ancient Greek name Penelope (no. 48) came into use in England in the 16th, part of a fad for classical names. (Nickname Penny (no. 198) is more modern, though.)

No. 65 Ada has an old-fashioned feel to it — but did you know it’s roots go back at least to the 9th C in France?

Biblical names Lydia (no. 130), Leah (no. 136), Esther (no. 173), Naomi (no. 178), Rebecca (no. 186), Tabitha (no. 204), Lois (no. 215), and Rachel (no. 323) became popular amongst French, Dutch, and English Protestants in the 16th C, as did virtue names like Faith (no. 135). Interestingly, Hope (no. 139) is a virtue name that we haven’t yet found any pre-1600 examples of, though Esperanza from Latin sperantia ‘hope’ is found in 15th-16h C Spain and Italy (but not in the ONS data!)

Modern name Ottilie (no. 164) is a variant of medieval Odile, popular in France especially in the diminutive form Odelina.

No. 169 Laura first became popular after Petrarch as the poetic name for his love; it spread from Italy to France, Italy, and England over the 14th and 15th centuries.

Here’s a surprising one: Maia (no. 176). The DMNES entry is still in draft form, but we have two Low German examples from the 16th century; variant Maja (no. 192) is not an unreasonable alternative medieval spelling.

French-origin name Amy (no. 189) was popular in England from the 14th C onwards.

No. 196 Alba occurs in Catalan in the early 16th C.

Golden name Aurelia (no. 212) was used in Renaissance Italy. While name no. 361 Sapphire is generally interpreted as a gem name, when the medieval form Sapphira was used in 16th C England, it was more likely in reference to the New Testament character.

Did you know that Alana (no. 216) is a medieval name? It’s the Latin feminine form of Alan, and appears rarely. (Variants that add extra ls or ns or hs, such as Alannah (no. 472), Alanna (no. 650), Allana (no. 1788), Alanah (no. 1887), and Allanah (no. 3178) and compounds like Alana-Rose (no. 2901) and Alana-Rae (no. 5666) are not generally medieval.)

Nickname Effie (no. 236), usually a pet form of Euphemia (no. 4684), shows up in 16th C England (as does the full name itself) — a rare instance of an -ie or -y diminutive ending in medieval England!

Name no. 243, Talia we have examples of in 13th and 16th C Italy; there’s no entry for the name yet, as the etymological origin of the name is uncertain.

Names of classical gods and goddesses became popular in the Renaissance, including Diana (no. 275) found in both England and Italy (Diane (no. 3178) is a French form; Dianna (no. 3985) and Dyana (no. 48684) are modern forms). In general, the Latin names were preferred over the Greek — which means while we don’t have Athena (no. 239), Atene (no. 5666), Athene (no. 5666) (or the compound Athena-Rose, no. 4684) in the DMNES data, we do have Minerva (no. 2187). (The compound Diana-Elena (no. 5666) is also modern.)

Modern-day Melody (no. 312) is found in the Latin form Melodia in England during the fad for fanciful Latinate names in the 13th C. It’s during this period that we also find Amanda (no. 602).

Name no. 213 Remi shows up in medieval France — but as a masculine name, not a feminine name. Similarly, Alexis (no. 323) can be found right across Europe, but only as a man’s name.

The roots of Christmas name Natalie (no. 354) go all the way back to the early Middle Ages — it shows up multiple times in the 9th C, which makes it an incredibly well-witnessed early French feminine name!

We’ll tackle names from no. 400 down in a future post.

Color names: Silver/White/Grey

This post wraps up our series on color names for October’s monthly topic, and looks at names deriving from words for white/fair, silver, grey, and the like.

Because whiteness was strongly associated in many cultures with purity and innocence, it’s no surprise that these words gave rise to names, particularly in cultures (like Italian) that liked to give augurative names — names that express a desire for the child or child’s future.

Looking at names with elements meaning ‘white’, starting at the beginning of the alphabet, we have a masc./fem. pair Albo and Alba. These names have two possible origins: Either Old High German alb ‘elf’ or Latin albus (m.) or alba (f.) ‘white’. The masculine name Albin can either be a derivative of albus or a nickname for Albert. Looking at Latin roots, we also have a single example of Argenta, derived from an identical Latin word meaning ‘silver’.

Next is another masc./fem. pair, Blanch and Blanche. These could also be said to be of Latin origin, but Latin blancus (m.) or blanca (f.) is ultimately a borrowing of Old High Grman blanc(h) ‘white, pale’. This word also occurs in compound names, such as the amazingly beautiful Blanchefleur ‘white flower’.

The next set of names are Celtic in origin, deriving from Old Welsh gwyn (m.) or gwen (f.) ‘white, fair, blessed’. The Welsh roots of the name Gavin are disputed, but the second element may be gwyn. The feminine form gwen is quite common in Welsh names, both as a standalone name and as a part of compounds such as Gwenllian, Madwen, and Winifred. And the origins of the Arthurian heroine name Guinevere go all the way back to the Proto-Celtic root *windo. The same Proto-Celtic root gave rise to a Germanic tribal name, for the Wends. Tribal names are an interesting subset of elements that show up in dithematic Germanic names, and while words for the Wends were not as common as those for the Goths, they still show their traces in the names Wintbert and Wintbald.

Finally, we have the Old English word for ‘white’, hwīt, which was used in compounds such as Whitehelm as well as a standalone name or as a nickname of any of the compounds using hwīt.

The ‘grey’ names are of interest for two reasons; first, because we covered some of them already in the post on Color Names: Brown, as the root of the element brun has aspects of both brown and grey in its meaning; second, because looking beyond those we have only uncertain hypotheses. Despite its familiarity, the origins of the name Caesar are not entirely known. One folk etymology offered in the late Antique Historia Augusta is that it derives from Latin oculis caesiis ‘grey eyes’. And the origin of the fem. name Griselda is often connected with Proto-Germanic *grēwaz ‘grey’, but there is no clear evidence that this name was used in Germanic contexts, or for any other name which uses *grēwaz as a prototheme or deuterotheme.

We hope you enjoyed our first monthly theme! Next month, in conjunction with National Novel Writing Month we will look at ways in which you can improve your character naming practices when writing historical fiction.